Diego Rodriguez de Silva Velazquez [7]

Nationality : Spain, 1599 - 1660

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  • Title : Queen Isabel
  • Info : 1632 Oil on canvas Kunsthistorisches Museum, Vienna, Austria

Oil Painting ID: 30240


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  • Title : Sibyl
  • Info : c.1632 Oil on canvas 24 3/8 x 19 5/8 inches (62 x 50 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30241


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  • Title : The Buffoon Juan de Austria
  • Info : 1632 - 1633 Oil on canvas Museo del Prado, Madrid, Spain

Oil Painting ID: 30242


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  • Title : The Buffoon Juan de Austria
  • Info : 1632 - 1633 Oil on canvas Museo del Prado, Madrid, Spain

Oil Painting ID: 30243


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  • Title : Dona Antonia de Ipenarrieta y Galdos and her Son Luis
  • Info : c.1631 Oil on canvas 84 5/8 x 39 1/4 inches (215 x 100 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30244


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  • Title : Queen Isabel, Standing
  • Info : 1631 - 1632 Oil on canvas Public collection

Oil Painting ID: 30245


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  • Title : The Temptation of St. Thomas Aquinas
  • Info : c.1631 - 1632 Oil on canvas Museo Diocesano de Arte Sacro, Spain

Oil Painting ID: 30246


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  • Title : Joseph's Bloody Coat Brought to Jacob
  • Info : 1630 Oil on canvas 87 3/4 x 98 3/8 inches (223 x 250 cm) Monasterio de San Lorenzo, El Escorial

Oil Painting ID: 30247


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  • Title : The Forge of Vulcan
  • Info : 1630 Oil on canvas 87 3/4 x 114 1/8 inches (223 x 290 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30248


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  • Title : Los Borrachos
  • Info : Translated title: The Drunkards. Alternative title: The Triumph of Bacchus. 1629 Oil on canvas 64 7/8 x 89 1/4 inches (165 x 227 cm) Private collection

Oil Painting ID: 30249


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Velazquez, Diego Rodriguez de Silva
Diego Rodriguez de Silva y Velauez was a Spanish painter who is considered to have been the country's greatest baroque artist. He, with Francisco de Goya and El Greco, forms the great triumvirate of Spanish painting. Velauez was born in Seville on June 6, 1599, the oldest of six children; both his parents were from the minor nobility. Between 1611 and 1617 the young Velauez worked as an apprentice to Francisco Pacheco, a Sevillian Mannerist painter who was also the author of an important treatise, El arte de la pintura (The Art of Painting, 1649), and who became Velauez's father-in-law. During his student years Velauez absorbed the most popular contemporaneous styles of painting, derived, in part, from both Flemish and Italian realism.

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