Diego Rodriguez de Silva Velazquez [3]

Nationality : Spain, 1599 - 1660

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  • Title : A Dwarf Sitting on the Floor
  • Info : c.1645 Oil on canvas Museo del Prado, Madrid, Spain

Oil Painting ID: 30200


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  • Title : A Knight of the Order of Santiago
  • Info : c.1645 - 1650 Oil on canvas Staatliche Kunstsammlungen, Dresden, Germany

Oil Painting ID: 30201


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  • Title : Allegorical Portrait of Philip IV
  • Info : c.1645 Oil on canvas Galleria degli Uffizi, Florence, Italy

Oil Painting ID: 30202


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  • Title : Young Peasant Girl
  • Info : 1645 - 1650 Oil on canvas Museo del Prado, Madrid, Spain

Oil Painting ID: 30203


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  • Title : Arachne,A Sybil
  • Info : c.1644 - 1648 Oil on canvas Meadows Museum, USA

Oil Painting ID: 30204


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  • Title : Diego de Acedo,El Primo
  • Info : 1644 Oil on canvas 42 1/8 x 32 1/4 inches (107 x 82 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30205


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  • Title : Philip IV at Fraga
  • Info : 1644 Oil on canvas Frick Collection, New York, USA

Oil Painting ID: 30206


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  • Title : The Fable of Arachne
  • Info : Alternative title: The Spinners. c.1644 - 1648 Oil on canvas Museo del Prado, Madrid, Spain

Oil Painting ID: 30207


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  • Title : Sts Paul the Hermit and Anthony Abbot
  • Info : c.1642 Oil on canvas 101 1/8 x 74 inches (257 x 188 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30208


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  • Title : The Dwarf Francisco Lezcano
  • Info : Alternative title: El Nino de Vallecas. 1642 - 1645 Oil on canvas 42 1/8 x 32 5/8 inches (107 x 83 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30209


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Velazquez, Diego Rodriguez de Silva
Diego Rodriguez de Silva y Velauez was a Spanish painter who is considered to have been the country's greatest baroque artist. He, with Francisco de Goya and El Greco, forms the great triumvirate of Spanish painting. Velauez was born in Seville on June 6, 1599, the oldest of six children; both his parents were from the minor nobility. Between 1611 and 1617 the young Velauez worked as an apprentice to Francisco Pacheco, a Sevillian Mannerist painter who was also the author of an important treatise, El arte de la pintura (The Art of Painting, 1649), and who became Velauez's father-in-law. During his student years Velauez absorbed the most popular contemporaneous styles of painting, derived, in part, from both Flemish and Italian realism.

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