Diego Rodriguez de Silva Velazquez [5]

Nationality : Spain, 1599 - 1660

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  • Title : The Buffoon Don Cristobal de Castaneda y Pernia
  • Info : Alternative title: Red Beard. 1637 - 1640 Oil on canvas Museo del Prado, Madrid, Spain

Oil Painting ID: 30220


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  • Title : Menippus
  • Info : 1636 - 1640 Oil on canvas 70 3/8 x 37 inches (179 x 94 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30221


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  • Title : The Buffoon Pablo de Valladolid
  • Info : c.1636 - 1637 Oil on canvas Museo del Prado, Madrid, Spain

Oil Painting ID: 30222


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  • Title : A Young Lady
  • Info : c.1635 Oil on canvas Public collection

Oil Painting ID: 30223


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  • Title : Equestrian Portrait of Philip IV
  • Info : 1635 - 1636 Oil on canvas 118 1/2 x 123 1/2 inches (301 x 314 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30224


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  • Title : Juan Martinez Montanes
  • Info : c.1635 Oil on canvas 42 7/8 x 42 1/8 inches (109 x 107 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30225


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  • Title : Lady with a Fan
  • Info : c.1635 Oil on canvas Wallace Collection, London, England

Oil Painting ID: 30226


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  • Title : Pablo de Valladolid
  • Info : c.1635 Oil on canvas 82 1/4 x 48 3/8 inches (209 x 123 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30227


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  • Title : Prince Baltasar Carlos as Hunter
  • Info : 1635 - 1636 Oil on canvas 75 1/8 x 40 1/2 inches (191 x 103 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30228


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  • Title : Prince Baltasar Carlos on Horseback
  • Info : 1635 - 1636 Oil on canvas 82 1/4 x 68 inches (209 x 173 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30229


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Velazquez, Diego Rodriguez de Silva
Diego Rodriguez de Silva y Velauez was a Spanish painter who is considered to have been the country's greatest baroque artist. He, with Francisco de Goya and El Greco, forms the great triumvirate of Spanish painting. Velauez was born in Seville on June 6, 1599, the oldest of six children; both his parents were from the minor nobility. Between 1611 and 1617 the young Velauez worked as an apprentice to Francisco Pacheco, a Sevillian Mannerist painter who was also the author of an important treatise, El arte de la pintura (The Art of Painting, 1649), and who became Velauez's father-in-law. During his student years Velauez absorbed the most popular contemporaneous styles of painting, derived, in part, from both Flemish and Italian realism.

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