Maurice Brazil Prendergast [13]

Nationality : United States, 1859-1924

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  • Title : Rome, Flower Stall
  • Info : oil on canvas, 47122-Prendergast, Maurice Brazil-Rome, Flower Stall.jpg

Oil Painting ID: 47122


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  • Title : Salem Willows
  • Info : oil on canvas, 47123-Prendergast, Maurice Brazil-Salem Willows.jpg

Oil Painting ID: 47123


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  • Title : Santa Maria Formosa, Venice
  • Info : oil on canvas, 47124-Prendergast, Maurice Brazil-Santa Maria Formosa, Venice.jpg

Oil Painting ID: 47124


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  • Title : Sea Maidens
  • Info : oil on canvas, 47125-Prendergast, Maurice Brazil-Sea Maidens.jpg

Oil Painting ID: 47125


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  • Title : Seashore
  • Info : oil on canvas, 47126-Prendergast, Maurice Brazil-Seashore.jpg

Oil Painting ID: 47126


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  • Title : Seated Woman in Blue
  • Info : oil on canvas, 47127-Prendergast, Maurice Brazil-Seated Woman in Blue.jpg

Oil Painting ID: 47127


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  • Title : Snowy Day, Boston
  • Info : oil on canvas, 47128-Prendergast, Maurice Brazil-Snowy Day, Boston.jpg

Oil Painting ID: 47128


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  • Title : South Boston Pier
  • Info : oil on canvas, 47129-Prendergast, Maurice Brazil-South Boston Pier.jpg

Oil Painting ID: 47129


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  • Title : Splash of Sunshine and Rain
  • Info : oil on canvas, 47130-Prendergast, Maurice Brazil-Splash of Sunshine and Rain.jpg

Oil Painting ID: 47130


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  • Title : Spring Promenade
  • Info : oil on canvas, 47131-Prendergast, Maurice Brazil-Spring Promenade.jpg

Oil Painting ID: 47131


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Prendergast, Maurice Brazil
Maurice Brazil Prendergast (1859-1924) was an American painter, born in Boston, and trained in art as a painter of advertising placards in Boston and later in France and Italy. He returned to Boston in 1900. Prendergast was a member of The Eight, a group of artists led by Robert Henri. The group had an influential exhibition in 1908; they broke with the academic tradition that reigned at the time and proposed that painting be connected to everyday life. In 1914 he moved to New York City, where he spent the remainder of his life. His work is characterized by rich, powerful color applied in dots and in short brushstrokes. Many of his subjects are landscapes with figures, as for example, Central Park (1901, Whitney Museum, New York City). A number are of the seashore. Others include Boston street scenes and sketches of Neapolitan and Venetian life.

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