Maurice Brazil Prendergast [11]

Nationality : United States, 1859-1924

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  • Title : Paris Boulevard in the Rain
  • Info : oil on canvas, 47102-Prendergast, Maurice Brazil-Paris Boulevard in the Rain.jpg

Oil Painting ID: 47102


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  • Title : Paris Omnibus
  • Info : oil on canvas, 47103-Prendergast, Maurice Brazil-Paris Omnibus.jpg

Oil Painting ID: 47103


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  • Title : Paris
  • Info : oil on canvas, 47104-Prendergast, Maurice Brazil-Paris.jpg

Oil Painting ID: 47104


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  • Title : Park Street Church, Boston
  • Info : oil on canvas, 47105-Prendergast, Maurice Brazil-Park Street Church, Boston.jpg

Oil Painting ID: 47105


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  • Title : Picnic
  • Info : oil on canvas, 47106-Prendergast, Maurice Brazil-Picnic.jpg

Oil Painting ID: 47106


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  • Title : Picnic
  • Info : oil on canvas, 47107-Prendergast, Maurice Brazil-Picnic.jpg

Oil Painting ID: 47107


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  • Title : Picnic Grove
  • Info : oil on canvas, 47108-Prendergast, Maurice Brazil-Picnic Grove.jpg

Oil Painting ID: 47108


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  • Title : Picnic with Red Umbrella
  • Info : oil on canvas, 47109-Prendergast, Maurice Brazil-Picnic with Red Umbrella.jpg

Oil Painting ID: 47109


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  • Title : Pincian Hill, Rome
  • Info : oil on canvas, 47110-Prendergast, Maurice Brazil-Pincian Hill, Rome.jpg

Oil Painting ID: 47110


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  • Title : Ponte della Paglia
  • Info : oil on canvas, 47111-Prendergast, Maurice Brazil-Ponte della Paglia.jpg

Oil Painting ID: 47111


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Prendergast, Maurice Brazil
Maurice Brazil Prendergast (1859-1924) was an American painter, born in Boston, and trained in art as a painter of advertising placards in Boston and later in France and Italy. He returned to Boston in 1900. Prendergast was a member of The Eight, a group of artists led by Robert Henri. The group had an influential exhibition in 1908; they broke with the academic tradition that reigned at the time and proposed that painting be connected to everyday life. In 1914 he moved to New York City, where he spent the remainder of his life. His work is characterized by rich, powerful color applied in dots and in short brushstrokes. Many of his subjects are landscapes with figures, as for example, Central Park (1901, Whitney Museum, New York City). A number are of the seashore. Others include Boston street scenes and sketches of Neapolitan and Venetian life.

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