Camille Pissarro [1]

Nationality : France, 1830 - 1903

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  • Title : The Hermitage at Pontoise
  • Info : The Hermitage at Pontoise, 1867, Solomon R. Guggenheim Museum, New York

Oil Painting ID: 28656


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  • Title : Louveciennes: The Road to Versailles
  • Info : Louveciennes: The Road to Versailles, 1870, Foundation E. G. Bührle Collection, Zürich

Oil Painting ID: 28657


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  • Title : Orchard in Bloom at Louveciennes
  • Info : Orchard in Bloom at Louveciennes, 1872, National Gallery of Art, Washington D.C

Oil Painting ID: 28658


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  • Title : The Railway Bridge at Pontoise
  • Info : The Railway Bridge at Pontoise, 1873, private collection.

Oil Painting ID: 28659


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  • Title : Self-Portrait
  • Info : Self-Portrait, 1873, Musée d'Orsay, Paris

Oil Painting ID: 28660


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  • Title : Gelee Blanche
  • Info : Gelee Blanche (Hoarfrost), 1873, Musée d'Orsay, Paris

Oil Painting ID: 28661


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  • Title : Sunlight on the Road- Pontoise
  • Info : Sunlight on the Road- Pontoise, 1874, oil on canvas, Museum of Fine Arts, Boston

Oil Painting ID: 28662


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  • Title : La Cote des Boeufs
  • Info : La Côte des Boeufs, the Hermitage, 1877, National Gallery, London

Oil Painting ID: 28663


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  • Title : Kitchen Garden with Trees in Flower, Pontoise
  • Info : Kitchen Garden with Trees in Flower, Pontoise, 1877, Musée d'Orsay, Paris.

Oil Painting ID: 28664


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  • Title : Resting in the Woods at Pontoise
  • Info : Resting in the Woods at Pontoise, 1878, oil on canvas, Kunsthalle, Hamburg

Oil Painting ID: 28665


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Pissarro, Camille
Camille Jacob Pissarro was a French impressionist painter whose friendship and support provided encouragement for many younger painters. Pissarro was born in Saint Thomas, Virgin Islands, and moved to Paris in 1855, where he studied with the French landscape painter Camille Corot. At first associated with the Barbizon school, Pissarro subsequently joined the impressionists and was represented in all their exhibitions. During the Franco-Prussian War (1870-71), he lived in England and made a study of English art, particularly the landscapes of Joseph Mallord William Turner. For a time in the 1880s Pissarro, discouraged with his work, experimented with pointillism; the new style, however, proved unpopular with collectors and dealers, and he returned to a freer impressionist style. A painter of sunshine and the scintillating play of light, Pissarro produced many quiet rural landscapes and river scenes; he also painted street scenes in Paris, Le Havre, and London. Of Pissarro's great output (including paintings, watercolors, and graphics), many works hang in the Luxembourg Gallery, Paris, and in the leading galleries of Europe. The Metropolitan Museum of Art, New York City, has his Bather in the Woods (1895).

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