Sebastiano del Piombo [1] - Hand painted oil painting reproductions

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Piombo, Sebastiano del - The Death of Adonis

ID : 28641
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Piombo, Sebastiano del - Salome with the Head of John the Baptist

ID : 28642
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Piombo, Sebastiano del - St. Louis of Toulouse and St. Romuald

ID : 28643
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Piombo, Sebastiano del - Portrait of Ferry Carondelet and his Secretaries

ID : 28644
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Piombo, Sebastiano del - La Fornarina

ID : 28645
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Piombo, Sebastiano del - Portrait of a Man in Armor

ID : 28646
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Piombo, Sebastiano del - Portrait of a Young Woman called  Dorotea

ID : 28647
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Piombo, Sebastiano del - The Martyrdom of St. Agatha

ID : 28648
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Piombo, Sebastiano del - The Holy Family with Saints Catherine and Sebastian and a Donor

ID : 28649
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Piombo, Sebastiano del - The Descent of Christ into Limbo

ID : 28650
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Piombo, Sebastiano del - Jesus Carrying the Cross

ID : 28651
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Piombo, Sebastiano del - The Raising of Lazarus

ID : 28652
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Piombo, Sebastiano del - The Visitation

ID : 28653
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Piombo, Sebastiano del - The Virgin and Child with Saints and a Donor

ID : 28654
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Piombo, Sebastiano del - Portrait of a Humanist

ID : 28655
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Piombo, Sebastiano del
byname of Sebastiano Luciani (c. 1485, Venice [Italy]. July 21,1547, Rome, Papal States [now in Italy]), Italian painter who tried to combine the rich colours of the Venetian school with the monumental form of the Roman school. While he was in Venice, Sebastiano was a pupil of Giorgione, whose influence is apparent in his work. (1510; National Gallery, London). In 1511 Sebastiano went to Rome, where the Sienese banker Agostino Chigi had engaged him to decorate his newly built Villa Farnesina. Shortly after completing this commission, Sebastiano settled permanently in Rome, where he became a member of Raphael's circle of artists andsoon showed himself to be a notable portraitist. About 1515 Sebastiano came under the influence of Michelangelo and began collaborating with that artist. From drawings and cartoons by Michelangelo he executed his best-known work, San Pietro in Montorio, Rome) . Michelangelo's opinion of him was so high that he thought by correcting his rather dull draftmanship, he could make Sebastiano the best painter in Rome. In his Roman work Sebastiano combined the warm colouring of the Venetian school with the anatomical clarity and firm sculptural drawing probably resulting from his association with Michelangelo. From 1519 to 1530 Sebastiano had an unparalleled reputation in Rome as a portraitist. In 1531 Pope Clement VII bestowed upon Sebastiano the lucrative post of keeper of the papal seal. During the last 17 years of his life this economic security seems to have been a significant contributing factorin Sebastiano's limited production of pictures.

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