Sandro Botticelli [1] - Hand painted oil painting reproductions

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Botticelli, Sandro - Panel I of The Story of Nastagio degli Onesti

ID : 21042
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Botticelli, Sandro - Panel II of The Story of Nastagio degli Onesti

ID : 21043
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Botticelli, Sandro - Panel III of The Story of Nastagio degli Onesti

ID : 21044
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Botticelli, Sandro - The Coronation of the Virgin

ID : 21045
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Botticelli, Sandro - Mystical Nativity

ID : 21046
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Botticelli, Sandro - Pieta

ID : 21047
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Botticelli, Sandro - Fortitude

ID : 21048
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Botticelli, Sandro - Portrait of a Young Man

ID : 21049
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Botticelli, Sandro - Scenes from the Life of Moses, detail of the Daughters of Jethro

ID : 21050
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Botticelli, Sandro - Temptation of Christ

ID : 21051
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Botticelli, Sandro - San Barnaba Altarpiece (Madonna Enthroned with Saints)

ID : 21052
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Botticelli, Sandro - Calumny, detail of Truth and Remorse

ID : 21053
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Botticelli, Sandro - Portrait of a Young Man

ID : 21054
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Botticelli, Sandro - The Annunciation

ID : 21055
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Botticelli, Sandro - Madonna and Child with an Angel

ID : 21056
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Botticelli, Sandro - The Return of Judith

ID : 21057
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Botticelli, Sandro - The Adoration of the Magi

ID : 21058
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Botticelli, Sandro - Primavera

ID : 21059
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Botticelli, Sandro - Portrait of a Man with a Medal

ID : 21060
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Botticelli, Sandro - The Discovery of the Body of Holofernes

ID : 21061
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Botticelli, Sandro - The Birth of Venus

ID : 21062
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Botticelli, Sandro - Venus and Mars

ID : 21063
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Botticelli, Sandro - Pallas and the Centaur

ID : 21064
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Botticelli, Sandro
Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello "The Little Barrel"; (c. 1445 - May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting. Among his best known works are The Birth of Venus and Primavera.

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