Hans Makart [3]

Nationality : Austrian Academic Painter, 1840-1884

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  • Title : die niljagd der kleopatra
  • Info : oil on canvas 39959-die_niljagd_der_kleopatra.jpg

Oil Painting ID: 39959


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  • Title : die valkyrie
  • Info : oil on canvas 39960-die_valkyrie.jpg

Oil Painting ID: 39960


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  • Title : dora fournier gabillon
  • Info : oil on canvas 39961-dora_fournier_gabillon.jpg

Oil Painting ID: 39961


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  • Title : faun und nymph pan und flora
  • Info : oil on canvas 39962-faun_und_nymph_pan_und_flora.jpg

Oil Painting ID: 39962


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  • Title : grosses blumenstuck
  • Info : oil on canvas 39963-grosses_blumenstuck.jpg

Oil Painting ID: 39963


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  • Title : hanna klinkosch
  • Info : oil on canvas 39964-hanna_klinkosch.jpg

Oil Painting ID: 39964


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  • Title : karoline gomperz
  • Info : oil on canvas 39965-karoline_gomperz.jpg

Oil Painting ID: 39965


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  • Title : kinderbild
  • Info : oil on canvas 39966-kinderbild.jpg

Oil Painting ID: 39966


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  • Title : kronprinzessin stephanie
  • Info : oil on canvas 39967-kronprinzessin_stephanie.jpg

Oil Painting ID: 39967


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  • Title : marmorherzen
  • Info : oil on canvas 39968-marmorherzen.jpg

Oil Painting ID: 39968


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Hans Makart
Hans Makart (May 28, 1840 - October 3, 1884) was a 19th century Austrian academic history painter, designer, and decorator; most well known for his influence on Gustav Klimt and other Austrian artists, but in his own era considered an important artist himself and was a celebrity figure in the high culture of Vienna, attended with almost cult-liked adulation. Makart was the son of a chamberlain at the Mirabell Palace, born in the former residence of the prince-archbishops of Salzburg. Initially, he received his training in painting at the Vienna Academy between 1850 and 1851 from Johann Fischbach. While in the Academy, German art was under the rule of a classicism, which was entirely intellectual and academic-clear and precise drawing, sculpturesque modelling, and pictorial erudition were esteemed above all. Makart, who was a poor draughtsman, but who had a passionate and sensual love of color, was impatient to escape the routine of art school drawing. For his fortune, he was found by his instructors to be devoid of all talent and forced to leave the Vienna Academy. He went to Munich, and after two years of independent study attracted the attention of Karl Theodor von Piloty, under whose guidance, between 1861 and 1865 he developed his painting style. During these years, Makart also travelled to London, Paris and Rome to further his studies. The first picture he painted under Piloty, Lavoisier in Prison, though it was considered timid and conventional, attracted attention by its sense of color.

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