Felix Vallotton [8]

Nationality : Swiss painter, 1865-1925

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  • Title : The Lake in the Bois de Boulogne
  • Info : canvas painting, 48952-Felix Vallotton-The Lake in the Bois de Boulogne.jpg

Oil Painting ID: 48952


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  • Title : The Laundress
  • Info : canvas painting, 48953-Felix Vallotton-The Laundress.jpg

Oil Painting ID: 48953


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  • Title : The Lie
  • Info : canvas painting, 48954-Felix Vallotton-The Lie.jpg

Oil Painting ID: 48954


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  • Title : The Poker Game
  • Info : canvas painting, 48955-Felix Vallotton-The Poker Game.jpg

Oil Painting ID: 48955


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  • Title : The Port of Marseille
  • Info : canvas painting, 48956-Felix Vallotton-The Port of Marseille.jpg

Oil Painting ID: 48956


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  • Title : The Port of Pully
  • Info : canvas painting, 48957-Felix Vallotton-The Port of Pully.jpg

Oil Painting ID: 48957


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  • Title : The Rape of Europa
  • Info : canvas painting, 48958-Felix Vallotton-The Rape of Europa.jpg

Oil Painting ID: 48958


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  • Title : The Visit
  • Info : canvas painting, 48959-Felix Vallotton-The Visit.jpg

Oil Painting ID: 48959


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  • Title : Trinita dei Monti
  • Info : canvas painting, 48960-Felix Vallotton-Trinita dei Monti.jpg

Oil Painting ID: 48960


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  • Title : Twilight
  • Info : canvas painting, 48961-Felix Vallotton-Twilight.jpg

Oil Painting ID: 48961


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Felix Vallotton
Félix Edouard Vallotton (December 28, 1865 - December 29, 1925) was a Swiss painter and printmaker associated with Les Nabis. He was an important figure in the development of the modern woodcut. He was born into a conservative middle class family in Lausanne, and there he attended Collège Cantonal, graduating with a degree in classical studies in 1882. In that year he moved to Paris to study art under Jules Joseph Lefebvre and Gustave Boulanger at the Académie Julian. He spent many hours in the Louvre, where he greatly admired the works of Holbein, Dürer and Ingres; these artists would remain exemplars for Vallotton throughout his life.[1] His earliest paintings, such as the Ingresque Portrait of Monsieur Ursenbach (1885), are firmly rooted in the academic tradition, and his self portrait of 1885 (seen at right) received an honorable mention at the Salon des artistes français in 1886.

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