Diego Rivera [1]

Nationality : Mexican, 1886-1957

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  • Title : Self-Portrait Dedicated to Irene Rich,Autorretrato dedicado a Irene Rich
  • Info : 1941, oil on canvas, Smith College Museum of Art, Northampton, Massachusetts

Oil Painting ID: 28995


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  • Title : Pre-Hispanic America,Book cover for Pablo Neruda's,Canto General
  • Info : 1950, oil on canvas, Collection of the Estate of Licio Lagos, Mexico City

Oil Painting ID: 28996


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  • Title : Portrait of Lupe Marin,Retrato de Lupe Marin
  • Info : 1938, oil on canvas, Museo de Arte Moderno, Mexico City

Oil Painting ID: 28997


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  • Title : Portrait of Natasha Zakolkowa Gelman,Retrato de Natasha Zakolkowa Gelman
  • Info : 1943, oil on canvas, Jacques and Natasha Gelman Collection, Mexico City

Oil Painting ID: 28998


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  • Title : View of Toledo,Vista de Toledo
  • Info : 1912, oil on canvas, Fundacion Amparo R. de Espinosa Yglesias, Puebla

Oil Painting ID: 28999


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  • Title : Zapatista Landscape- The Guerrilla,Paisaje zapatista- El guerrillero
  • Info : 1915, oil on canvas, Museo Nacional de Arte, Mexico City.

Oil Painting ID: 29000


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  • Title : Motherhood- Angelina and the Child Diego,Maternidad- Angelina y el nino Diego
  • Info : oil on canvas, Museo de Arte Alvar y Carmen T. de Carrillo Gil, Mexico City

Oil Painting ID: 29001


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  • Title : The Maize Festival ,La fiesta del maiz, from the cycle,Political Vision of the Mexican People
  • Info : 1923-24, fresco, Ministry of Education, Mexico City.

Oil Painting ID: 29002


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  • Title : The Arsenal- Frida Kahlo Distributes Arms
  • Info : 1928, fresco, Ministry of Education, Mexico City.

Oil Painting ID: 29003


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  • Title : Flower Festival,Festival de las flores
  • Info : 1925, oil on canvas, Los Angeles County Museum of Art.

Oil Painting ID: 29004


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Rivera, Diego
Diego Rivera was a Mexican painter who produced murals on social themes. He was born in Guanajuato and educated in Mexico City. He studied painting in Europe between 1907 and 1921. Rivera returned to Mexico in 1921 and became prominent in the country's revival of mural painting. Believing art should serve working people and be readily available to them, he concentrated on creating large frescoes portraying the history and social problems of Mexico. He painted them on the walls of public buildings, including the National Palace in Mexico City (1929) and the Palace of Cortes in Cuernavaca (1930). Greatly influenced by indigenous Mexican art, Rivera's murals are simple and bold and, as social comment, have aroused much controversy among political and religious groups in both the United States and Mexico.

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